Automation/modulation improvements
Comments
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- simple line drawing with nodes that are easily editable (add/change/delete) on the hardware
- "modifier LFOs" (as in Logic Pro etc) mappable to any automatable parameter (when I think of that, this would already include the "simple line drawing" with a "sawtooth LFO" with variable phase/intensity)
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I’d love to see mute automation across the time line or an easy way to record the lock states on the time line. There is a work around but it too hard to make it work in a manageable time. If I import a one shot or samples auto detect the key and link it across the pads and keys accordingly. I need to see all midi notes from other tracks in the piano roll all at once or would like to select multiple tracks to see the midi nots simultaneously in the piano roll and edit them! Let’s be honest just take almost every feature of the piano roll from FL and I’d be satisfied. Custom scales and chords would be an added benefit as well!! Also transpose to key quantize to key what ever you want to call it. For example If I made a beat in A flat minor and just want to transpose the entire beat C major! That would be a God send as well!!!
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I’d like to see something like Transit by Andrew Huang for Maschine so that we can easily make scene transitions easier and more interesting. Since there are so many Native effects this could go way beyond what Transit can do and be part of the native Maschine workflow.
Given the pattern workflow of Maschine and the challenges of doing automation without a mouse or touchscreen (recording in tough), the Transit approach is a really great fit for Maschine.
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Midi LFO/Modulation of everything. Notes, pattern lenght, probability.
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As a keyboardist I would like to see aftertouch implemented so I can get more value from the software synthesizers I've purchased from Native and other manufacturers.
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Because Maschine does not have automation. It has modulation, which is explained in the manual. The biggest problem seems that 99% of the users confuse the two.
When NI calls it automation and the inference is that you can use it to control parameters such as volume, velocity etc, then it is understandable why people think of it in those terms. Generally, what is being called for is a proper editable system.
Surely if you are modulating say a volume amount over time, that could be available in the mixer or am I misunderstanding things?
Another vote here for aftertouch, very bizarre that it's never been developed, but there again you could say that about the other myriad of desired but very missing features.
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When NI calls it automation
The manual is very specific about what automation and modulation mean and how they are handled in Maschine. Please refer to the following manual chapters
9.3. Recording and Editing Modulation
In MASCHINE, modulation means the automatic change of MASCHINE parameters from an internal source (for example, manual changes recorded via Auto-write...). Value changes are:
• Temporary: The modified value is valid only until the end of the Clip: When the Scene is looped or when playback is restarted, the parameter value is reset to its non-modulated value.
• Relative (knobs only): For continuous parameters (these parameters are controlled by a rotary knob in the software), the new parameter value is defined as deviation from the actual value. Note that for selectors and buttons, modulation defines instead absolute values.
10.2.3. Controlling Parameters via MIDI and Host Automation
In MASCHINE, automation means the control of MASCHINE parameters from an external source (MIDI or host application). Value changes are:
• Permanent: The new parameter value stays valid until a new value is defined (via MIDI/host or manually), even when the playback is looped or restarted.
• Absolute: The new parameter value is defined regardless of its current value.
Both chapters explain the concepts in detail, including operation and available targets. There are a couple of places were the term automation is used incorrectly, especially in the M+ manual.
IMHO, it’s really important to use proper terminology to achieve meaningful feature requests.
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IMHO, it’s really important to use proper terminology to achieve meaningful feature requests.
Being honest, neither of those 'definitions' match what I rightly or wrongly view as 'automation' or my understanding of Maschine, and I'd say many others think similarly.
When I talk of 'automation' I think of recording a series of parameter changes that can be used as is or re-edited to control a parameter value. Something as simple as on / off or changes in volume /velocity over time so that when played again those values are in place and the scene will play as the 'automation' defines.
Those values are modulations controlled by the 'automated' values, hence I cannot understand why, say, the volume of a channel mixer could not be controlled in a similar fashion other than the fact the controls are not accessible in Maschine as it stands.
If I 'automate' (auto write) a value as the scene is playing, it isn't temporary, it's there till I either erase it or re-edit it.
So far I have never used an external source, unless you count the Maschine controller itself, to affect a change in parameter values.
I cannot actually understand the quoted manual entries.
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Gotta agree with starting with the basics instead of these cool and nice special features stated in this thread, based on what I heard an overwhelming amount of remarks on in my echo-chamber - Get rid of the pillars, replace them with automation (sorry, 'modulation'?) points connected by lines. Figure out a clever way to handle that (and visualizing modulation at all) in M+ standalone too.
If you wanna go the extra yard, add some nice line curvature tool.
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I have never understood the advantage of modulation. My suggestion is to just get rid of the modulation system, so automation really means to set the value of a parameter and not a change in percentages.
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1. There are not enough forms for drawing automation curves, such as line, exponential curve, etc.
2. Be able to create automation not only for the pattern, but also for the scene, regardless of the length of the pattern.
3. Copy automation.
4. Be able to see automation on Maschine+, mk3
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If you write modulation for the filter cutoff into several patterns, and later decide that the movement is good but the sound should be slightly brighter in general, you can just go into the sound and open the filter a little bit more. With automation, you would jave to adjust or redo all of your written automation tracks.
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You're right, I understand that. But my problem is I always screw up the whole modulation when I move knobs to try things out. You need to set a "fix point" with lock states before, but this workflow is really hard in a big project. Maybe a connection of patterns and lock states would solve this.
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I find the automation/modulation function very useful. Also super easy to record, just pressing the AUTO button and start tweaking. You can't have it more simple!
1) The way it handles values as relative to knob position is very useful. It would be even greater to have a switch to "absolute values" too.
2) However, it's biggest drawback are its editing functions: you cannot copy or paste, and it's also impossible to nudge the values. If you Nudge MIDI notes that have automation, notes will move, but the values stay fixed in the same position! It becomes useless.
Thanks for reading!
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I was playing with an idea and did some modulation to a performance effect, but I got the timing wrong. I have this issue pretty often.
It then dawned on me: Go into the step sequencer and just fix it. Great. Not sure why I've never considered that before (I don't usually use the step sequencer)
So, specifically for M+, I suggest having some other mode in the step sequencer showing which steps have modulation, some function to quantize the modulation and some function to nudge the modulation points.
2
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