Export/import of multis

bobcat57
bobcat57 Member Posts: 2 Newcomer

I have been using Kontakt 6 VST3 for a while and I'd like to switch to Kontakt 8. The issue is that I have a bunch of very detailed multis that I have set up and and use frequently and I like to export them to Kontakt 8 (or import in Kontakt 8 from 6.) Is there a way to do this?

(I noticed that In Kontakt 6 under "Non-Player content base path" there is an option that says "Store paths refered to in host project relative to Non-layer content base path." What does that mean (if selected or unselected?) and is that relevant since its note covered in the user guide.)

I have the full versions of Kontakt 6, 7, and 8.

Answers

  • stephen24
    stephen24 Member Posts: 463 Pro

    Multis have a number of advantages for saving your work in Kontakt.

    They save all the settings of all the instruments, together with all the Master settings and Output settings.

    You can load a multi into any version of Kontakt that is at least as recent as the one it was saved in.

    So no need to "import" it, just load it in.

  • Kymeia
    Kymeia NKS User Library Mod Posts: 5,851 mod
    edited June 26

    You can load them 3 ways:

    1. Via the file menu/load
    2. Via the Quick Load browser - just drag in your folder/s where multis are stored (there is a specific tab for multis in the Quick Load Browser)
    3. Via the file browser

    The latter 2 options require being in classic view

  • bobcat57
    bobcat57 Member Posts: 2 Newcomer

    I guess the issue is then "How do I find my Kontakt 6 multi in Kontakt 8?" Where are they stored. Kontakt 8 just has "New" available.

  • Kymeia
    Kymeia NKS User Library Mod Posts: 5,851 mod

    Wherever you saved them, you said you had a bunch of detailed multis setup, if you don't know where you saved them to maybe try a filename search?

  • stephen24
    stephen24 Member Posts: 463 Pro

    You first have to save them in Kontakt. As nkm files. "Save multi as…"

    Guess we thought you'd already done that.

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