Programming synths from M+

assuming is positive only when you are achieving something in the Music, something we call success a growth with your authentic way but even then you must be aware that nothing is so stable offering such level of security. everything is happening in a massive a crowded way and only the some stay as relevant.

it`s clear what you want and it is possible with ether planning or using controls feature from the latest Massive version with new INT patch.

i have music from 2009. that was made completely using Massive onley and for someone who is first time listening it`s impossible but everything is possible. presets are separated by categories so every wave table is available in standalone . i made my own synth using simple shape chord desinhg it to last forever with harmonics and sonic textures recreating granular synth and 4 samplers with one same sample and that`s Sound Design. creating massive patches without computer is possible, if USB storage is like every other USB device i could capture Videos with best sound quality without live mic recording.

massive is enough for everything and someone was already designed it in a such way. as a Feature it`s what i support so recommend it as a Feature but ther`s always be someone who is using it better or without excuse for not trying.

i have MIDI device with completely mapped any vst and it`s far a way from ideal or what i was thinking before i get it. it`s basics always with exception of personal preferences like Wave Tables-shapes, filter types but everything is working only as Audio including Kicks.

i would make tutorials but if i could transfer Audio directly to mobile phone to show you much more easier way to use 4 sec Recordings with better usability as instrument/fx/ whatever. it`s what back in days was only possibtiy when samplers had Floppi…even then wave shapes were used, maybe it was straightforward how because nothing else was producing them and all we had were 4-10sec per sound. Microwaves were something not popular and yet Mushrooms or Astral,Electric Universe, Shacta,MFG ect were ALiEN SOUND ing projects but always Audio that was playing bass, kick, leads and stability of FX in M+ is what`s making them multi fx because two FM fx in chain are precisely what is the goal and same is with every standalone plugin including Massive with factory presets banks.

general sound design is something older and most expensive.

Controlling Wave Shape wont be so much exptional but is faster way for radical results. it`s not a Science, it`s just convenient way for creating dynamic morph directly on synth. Nature is never ending morphing with Cities it`s crazy…

Massive only Trance made under the 10 min. MOBILE REC. everything else was my inspiration.

i do Automation with lock states, sometimes i play them and record or i just place states on linear time line.

I believe you can do much more using available ways and M+ is easy to navigate, sound design and resampling techniques for making otherwise impossible to create sounds.

lock States are the secret for impossible. basic Massive preset can morph with wave position , filter`s and soon New INT Preset with knobs for wave, alghoritm and everything separated by pages dedicated to OSC1,2,3,MOD ect.

everything is possible.

Sorry but I'm not going to post unfinished ensembles to the RUL. Its too chock full of useless stuff as it is. Clonetonic and melotonic are already on there, and M+TONIC is just a fork of that work (minus the custom UIs).

Furthermore, posting stuff to the RUL doesnt exactly boost engagement at the forums.. its a silo all into itself. Heck, even the folks @ NI do not update it anymore 😅 It's been over a year since a NI rep told us they'd try to add a "Maschine+" tag in there..

You dont need to watch videos to do it. Its basically all about making NKS compatible content using NIs tools at the end of the day.

I've outlined how I personally do M+ optimization for Reaktor stuff in the community thread.

1. Make sure all your IDs of the Reaktor ensemble you want to control are in the range of 01-99
2. Make sure all your IDs have names and short names (this will autogenerate "sane" param labels for Maschine side, which you can of course edit further)
3. Make sure all your controls you want to change in Maschine are standard Reaktor UI elements - faders, knobs, buttons, menus. Other types of controls might or might not work
4. Make sure your Reaktor ensemble is correctly defined as an "instrument" or "fx"
5. Create at least a single snapshot for the ensemble (I like to name mine with the device name followed by INIT)
6. Once you have "baked" your ens, open it up in Maschine desktop, map the controls to their respective pages. Label your pages in Maschine so they will also display on the M+
7. Once you have a mapping you are happy with, Save the sound and quit Maschine
8. Open Reaktor, then open the Maschine sound you just saved into Reaktor
9. Save the opened Maschine sound as a Reaktor ensemble (this process will embed the NKS mappings to the ens file)
10. copy over to your SD card into the appropriate subfolder

This was just going off from memory, I might have missed something, but this should be it for the most part. Its easy enough once you do it a few times, but can be a bit laborous

Is it your first week on the internet?

The inference that strong passionate opinions and critique is somewhat a rarity these days suggests it might be ;)

Anyway, probably best to leave it there.

Happy new year!

Hijacking your thread?

Not only did I point you to Blezz Beats' solution, within a few replies of you starting the thread, but when you complained that it wasn't what you were looking for, I then linked you to a developer who was making Reaktor synths, from scratch. That seems to be very much on-topic. Even the diversion to do with preset use and snobbery seems on-topic, given it seems to have originated from you 'poppin' your collar' re: using from-scratch presets only.