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The new User Library is here
The new User Library is here
This isn’t just a facelift. It’s a brand-new era for user-generated content at Native Instruments!
Time and again, the depth of knowledge and creativity within our community blew us away. The best proof of this has always been the legendary Reaktor User Library, built by you with top-quality creations that just keep coming.
Today, we’re excited to launch the updated User Library. While you can still search by developer or product, leave comments, and rate creations, we’ve added dedicated Most Downloaded and Top Rated tabs — giving the best work the visibility it deserves.
More products, one unified Home
We’ve also expanded the library beyond Reaktor. What used to be static archive pages for Guitar Rig, Kontakt, and Absynth are now fully integrated into the active User Library. That means you can now upload, share, and discover new presets and instruments for these products in one active, unified space.
Everything from the original library and archives has been fully migrated to this new space.
Get featured
With this new library, we’ll also be regularly featuring standout Reaktor ensembles, Kontakt instruments, Guitar Rig presets, and Absynth patches across our channels to showcase your work to the wider community
Share your feedback
Since this is a brand-new space, we want to make sure everything runs smoothly. If you spot anything that isn't working as expected or have any feedback to share about the new library, please drop a comment in this thread.
Head over to the new library, check out the fresh layout, and share what you’ve been working on. ⚙️
Re: THE FUTURE OF SOUND (Re-Imagined).
Hello guys =)
- 10.000$ for 8 Motorized Faders ? Hahaha! Nope. 1 Motorized Fader today cost 30-40 $. So 8 Motorized Faders will cost 8 x 35 $ = 280 $.
- All Standalone Grooveboxes are a failure, they have lag problems, instability problems, polyphony problens, they are not good.
- The MASCHINE MK4 will be a Midi Controller, NOT a standalone device. So it will Not cost 10.000$.
- The MACHINE MK3+ standalone it was a failure. Also, the PUSH 3 standalone was a failure. Standalone devices are not good.
- The MASCHINE MK4 (MIDI Controller) it will cost around 1.150-1.250 $, so, Not So Expensive.
- The Native Instruments idea to Make MASCHINE MK3+ standalone was a failure. Sorry.
- Well, closing I'll say : My MASCHINE MK4 Project (Basic prototype idea) is fantastic, perfect, excellent, & it will be the Future of Sound.
GL & HF everybody =) GOD BLESS.
Re: What percentage of your musical compositions involve the use of AI?
0% and I intend it to stay that way.
Re: Komplete Kontrol - the unanswered questions
So the still outstanding FRs are:
- Proper effects support. This means having an effect version, and it being possible to record automation just as you can with the instrument version. Ideally also being able to save chains. KK could be so much more useful if it could function as a controller for effects.
- Drag and drop (internal and external) - ideally with a side browser - removing this made it impossible to actually use the sample browser in KK in any useful way - all it can do is load stuff in the useless sample player but not in any actual sampler instruments (such as Form, Flow, Battery, numerous granular plugins etc)
Kymeia
Re: inMusic shares more about the positive future for Native Instruments
It would be naive to think that inmusic wouldn't try to slim down the organisation by finding redundancies with their existing organisation.
Re: inMusic shares more about the positive future for Native Instruments
I've only seen this now, and I'm very excited after hearing this conversation.
As a 20+ year customer, I'm glad to see the shift in ownership back to hands that seem to care rather than VC.
Hoping the collaboration between iconic brands can lead to some great outcomes for all customers. Make it happen!
215th Linux discusion: Business side
Dear Native Instruments,
I love your products—but I'm stuck. Supporting only Windows (and macOS) is forcing users like me into tough budget decisions.
Here’s why Linux support is not just a technical request—it’s a smart business move:
- Windows 10 support ends in October 2025, and Windows 11 drops support for many older yet powerful CPUs. This will push users toward alternatives like Linux—creating a new potential market for Native Instruments.
- Budget-conscious users (like me) must choose: Do I upgrade my NI suite and buy new instruments—or buy a new PC just to run Windows 11? If NI supported Linux, I'd spend on your software, not hardware.
- Linux users are tech-savvy and proactive. We're eager to test, report bugs, and help improve software—essentially acting as a free QA team.
- Strong community culture. Even with an "as-is" Linux release, the community would share fixes, write guides, and support each other—reducing your support load.
- Linux isn't just an OS—it’s a collaborative model. Users are often willing to help for free, just to make great tools work.
This is a shift in computing—and a chance for NI to be ahead of the curve.
I hope you'll consider the many requests on the now 215 threads of discussions asking for a Linux support.
Sincerely,
Re: Kontrol S-Series MK3 Firmware 2.1.3 Hotfix Released
Hi all, here's a changelog for the 2.1.4 firmware update:
- Show Maschine sound and group number in header
- Allow user to make min larger than max in midi templates
- Fix minor UI bug using Maschine arp mode
- Fix peak hold meter not resetting when mixer bank is switched
- Fix confusing UX when using upcoming FL Studio integration
- Fix plugin chain button led inconsistency
Answers to some questions that have been asked on the thread:
- Yes, 2.1.4 FW is safe to install.
- No, it doesn't address any issue with reboot loops. As far as we know that is a localised issue for that particular user, not a bug in the firmware updater itself.
- The additional files that are appearing in the 2.1.4 Windows updater was a mistake, we usually clean up those other files before uploading and will correct it soon. However for now you can safely ignore all the other files, and run the main .exe with confidence.
- Yes it is normal and expected that the two drivers - DFU and ODR - appear on Windows. As mentioned there are no known issues with 2.1.3 causing update loops, please check the troubleshooting guide and create a support ticket if you are still experiencing problems.
Re: inMusic shares more about the positive future for Native Instruments
Was bound to happen. NI is not what they were originally. Back in the early 2000s they were innovators and actually created products for users. The likes of things like Reaktor, Battery and Kontakt were way ahead of the game and for anyone getting started and needing a good collection of starter plugins, Komplete was what you wanted even if 90% of it went unused!
NI have not listened to users for the last 10+ years and many simply spoke with their wallets taking their interest elsewhere, which there are plenty of options if you are not scared to change up your workflow. They placed far too much value in obtaining new customers without much thought of keeping the ones they have.
We all loved NI and the products of the time but it's struggled to bring these products to the modern market, even implementing VST3 support was years behind everyone else let alone implementing any user suggested features into almost ANY product. Updating their GUI support has been an ongoing slog which still users complain about. They seem to have a goal to try and coast off subscriptions which failed to work for obvious reasons but that again highlights the sheer issues they had which resulted in the shell we are now left with and another massive corporation consuming what is left of the IP.
It may work out better tho because with a whole new structure and new team not settled into a comfortable bean bag for 10 years may actually pick up on what users actually are asking for and deliver products they want to invest in again rather than just more expansion content no one actually wants. It's sad many more lose their jobs but this is the lay of the land these days, being loyal means nothing.
Must be said tho, InMusic is now becoming quite the monopoly and history suggests that is never a good thing for the competitive market.
Re: inMusic shares more about the positive future for Native Instruments
Hmmmm,
I guess my first thought is that this beats the pants off NI going bankrupt. And that was the reality of where it was heading with its previous owners.
Selling off iZotope, Brainworx and Plugin Alliance makes sense on a 'trying to find NI's identity' basis and on a 'let's immediately recoup some of this money' basis too. It's probably sensible for each of those companies too.
There were always going to be layoffs as there is a clear set of overlaps in terms of the running of the business and the support services etc. Again that is easy headcount to shred, although properly s*** for those individuals involved.
And those type of sales, cutbacks and savings are what you'd expect any distress purchaser to do. They help stem the losses. The real trick is getting the business to be profitable again.
Kontakt is the bedrock on which all of NI's sample based instruments rest and they need to ensure that it retains its place as the key sample instrument based infrastructure. Working closer with partner developers to help them create better products.
NKS is the gateway drug for their own and third party hardware. Again they need to broaden it out. Making it a built in part of every Akai keyboard and drum pad will help. However, the wider NKS spreads, the less unique value NI's own keyboard range has.
Maschine needs a vision to separate it from the MPC - what does it do that the MPC doesn't? And that's going to be a challenge to articulate because the MPC is going to be wired ever closer into NI's software products. Is MPC the production workhorse and Maschine the live performer? Until NI determine what the point of Maschine is, it's going to be a hard sell over the MPC (and vice versa).
The challenge NI has with its midi hardware instruments (Maschine, the Komplete Kontrol keyboards) is that they're all pretty mature products. They do what they do very well on a hardware level. It's difficult to suggest what you would do to radically improve them in a way that wouldn't make the current generation of products obsolete and that would be a really bad idea. I could see the current MK3 Maschines and Keyboards being pumped out for a while. Would an XY pad or just pads or a touchscreen interface really make that much difference?
Traktor I can see becoming part of a larger, multi-brand DJ environment. It makes no sense not to. The challenge there is, does the NI hardware offer a unique way of doing DJing? If so, then there is a distinct way to separate the NI hardware from the other brands. Maybe NI is the 'modular DJ environment' hardware as opposed to the 'all in one box' versions of its competitors. Or maybe NI is the high (or low) end of the hardware market. There is probably more space for differentiation here than between Maschine and the MPC, which share the same functional space and where the high/low end of the market feels far closer.
Reaktor and Battery feel, like a lot of the hardware, like mature products, very well designed to do what they do, with less need to radically upgrade.
Massive X is a catastrophe in a market with Serum, Ana, Omnisphere, Pigments etc etc. The Play system is kind of fun, but doesn't really work with their hardware, which is a pain. And the inability to use the hardware to alter which screen you are looking at on the interface (ie the Play or Edit screen) makes serious use really hard.
So I can imagine a lot of focus on the money makers (Kontakt, Kontakt instruments and sound packs/expansions), a lot of thinking about Maschine and the keyboards, go-along maintenance for the old guard, Traktor becoming a lot less NI and the rest just quietly left to decompose.
Still a lot better than bankruptcy.




